|Oh, and not enough liquor, either.|
To be fair, it took director/producer Robert Aldrich guts to portray the movie business as seedy as The Big Knife presents it. Everyone, from the studio boss to the Hedda Hopper stand-in gossip columnist, excels in moral and emotional blackmail. The studio is even willing to murder Castle's floozie Dixie Evans just to keep her from going public about Castle's hit-and-run. The entire industry is portrayed as a West Coast Mafia, only without the ethics.
|Ida Lupino studies Jack Palance's head|
|"...and right, too!"|
|"And I can do it with my left hand..."|
|"You think you've got problems? I went from|
working with Orson Welles to this dreck!"
|"Look at me when I'm declaiming|
father-figure to howling underworld don faster than you can say "sequel possibilities." His performance is a master class in overacting that could be measured by seismometers. You marvel at how the sets remain standing, or that Steiger himself doesn't drop dead of a heart attack by the end -- and the whole time sounding exactly like Marlon Brando! Anyone who takes his performance seriously doesn't know what they're missing. It's like Lionel Barrymore after a year of Method acting lessons.
|It sounds classier in Italian.|
Odets even worked himself into The Big Knife as Horatio "Hank" Teagle, who doubles as Castle's Jiminy Cricket. We know he's the only character with a moral compass because A) he's a writer, B) is moving back to New York to work on an important novel he admits nobody will read, and C) says things like, "Half-idealism is the peritonitis of the soul." No wonder nobody reads his books.
|Right column, third from the top: I've heard of casting couches,|
but this is ridiculous.
The original 1949 stage production of The Big Knife ran only three months, leading me to believe nobody liked it then, either. (It was directed by, who else, Lee Strasberg.) When my wife and I saw its Broadway revival in 2013, we spent most of the time stifling our giggles while our eyes rolled like bowling balls. Somebody ought to take a big knife to The Big Knife once and for all.