Alan Eaton, an army vet released from an enemy detention camp during the Korean War, returns to the Washington PR firm he built with his business partner, who mysteriously died the day after selling out the company to Jim McGinnis. Eaton discovers that McGinnis has been working as a front for a shady organization intent on manipulating statistics in order to shape, rather than report, public opinion for their own nefarious reasons. The deeper Eaton digs for the truth, the more his life is in danger. He shoulda stayed in the POW camp.
|Don't look now, but the guy with the|
notepad is redder than a blushing cardinal.
|"How did I afford an Edsel? Oh, I forgot,|
it was free!"
|"Forget about 'Blue Moon' -- I'm such |
a Commie, I sing 'Red Moon'!"
By never using the word "Communist," The Fearmakers ages much better than most other anti-Red melodramas of its time. You can pretend that Democrats or Republicans are the bad guys here, and it would play just as well -- better, in fact, because they're pulling this kind of thing all the time. The brainwashing Eaton endured by the Reds is no different than that being conducted in the name of polling. Only now they call it "information gathering." Sounds less red, and more red, white and blue.