How can four movies count as five? You'll find out.
TRAPPED BY THE MORMONS (1922): Long before the Church of Latter-Day Saints was an object of satire in a Broadway musical, it was considered a nefarious sexual cult. Just look at the tagline on the billboard for the British silent shocker Trapped by the Mormons.You know right off the bat what kind of a scoundrel Keene is, seeing that the very first shot is a close-up of his eyes as he practices his hypnosis skills. He pulls every trick in the book to win over Nora, even the ol' resurrecting-the-dead gag. Religion never comes in to play as far as Mormons here are concerned; it's all about the polygamy. The only thing Nora's elderly father hates as much as the Mormons, it seems, is America because that's where these people come from. Just the seeing "Utah" on a pamphlet is enough to drive dad into a frenzy. I bet he's just jealous of all the tail those guys are getting.
The one thing that keeps Trapped by the Mormons from going full-scale camp is Evelyn Brent's portrayal of Nora. While Louis Willoughby (Isoldi Keene) and Cecil Morton York (Nora's father) compete in a scenery-chewing contest as if their union memberships depended on it, Brent keeps an even keel throughout. It's odd she rarely broke out of B-movies like Symphony of Living (Interference being an exception). Quite a comedown for the attractive, American-born Brent, who had great success in classy British stage productions during the 1920s. Her character might have been trapped by the Mormons, but Brent herself was trapped by the studios.
BONUS POINTS: I recognized Olaf Hytten, one of the Elders, from his appearances in the 1940s Sherlock Holmes movies. God, how did I ever get laid?
THE INFORMER (1929): Long overshadowed by John Ford's 1935 adaptation of the novel, the original UK production of The Informer is interesting in its own right. Ford's version sticks close to the source material, as Gypo Nolan, a dimwit IRA mascot, turns in a comrade for the reward money so he and his hooker honey can sail to America. But being a dimwit, he starts flashing the cash at the local pub, leading folks to figure out what happened, and the IRA putting him on "trial"
SHAKEDOWN (1950): The cliche of the on-the-spot, lightly unscrupulous but loveable newspaper photographer from the '30s and '40s gets a literal beating in Shakedown. Freelance shutterbug Jack Early turns his newfound gig at a San Francisco broadsheet into a moneymaking machine. First by taking shock, tabloidish photos, then playing criminal kingpins Nick Palmer and Harry Colton against each other for cash. Apparently deciding this isn't dangerous enough, Jack sneaks Harry and his gang into a party with a bunch of society of swells so they can rob the joint. But this is one job that won't develop as well as his photos.
It isn't often that you're rooting for the criminals, but you can't help it in Shakedown. Howard Duff makes Jack Early even more of a sociopath than the gangsters. The way Hollywood vet Brian Donlevy plays Nick, I'd have worked for him on the side and thank him profusely. Lawrence Tierney gives Harry a sinister edge, of course, but he won't give you any trouble if you don't mess with him. Now starting the downslope of his career -- he's fourth billed -- Tierney is unusually lowkey in Shakedown, making him sound almost exactly like Humphrey Bogart.
But by the end of the first reel, it's Howard Duff you loathe. He tells a drowning victim and a jumper to pose before he snaps their photos. He breaks up the engagement of photo editor Ellen Bennet (Peggy Dow) before putting the unwanted moves on Nick's wife Nita (Anne Vernon). His own editor (the underrated Bruce Bennett) hates him. In the abyss of Jack's miserable life, he watches Harry hotwiring Nick's car to blow up when he turns the ignition -- and lets it happen in order to get the shot and Nick's wife! You know a guy is despicable when you cheer as Lawrence Tierney slaps him hard on the face and, at the end, gives him what he's been asking for all along. A fast-paced drama with flashes of very dark humor, Shakedown will shake you up.



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