Your honor, I state under oath that Counsellor-At-Law is Universal Pictures' greatest 1930s non-horror release. It's also one of the best pre-code pictures, with an interesting story, snappy dialogue spoken at breakneck speed, a camera that never stops moving, and a dozen or so fascinating supporting actors, all under the able direction of director William Wyler. And it offers what is likely John Barrymore's greatest screen performance as well. So why doesn't it make any "Best Of" lists?
Cora is shocked to discover that her husband's mother isn't Protestant. |
The only time Barrymore gave a woman the fisheye. |
I'd hire him -- if I could afford it. |
flamboyant costume dramas will be knocked out by Counsellor-At-Law. Despite taking a suspension of disbelief the length of the Mackinac Bridge to accept him as Jewish -- it's amusing on many levels when he refers to his younger brother as a gonnif -- Barrymore is nothing less than brilliant. Nervously drumming his fingers on his desk, binging on chocolate candies three at a time, pacing the halls like a nervous racehorse, barking out orders at 150-mph, his portrayal of George Simon must have been literally breathtaking. (As in Night Flight in the same year, a lifetime of heavy cigarette smoking had made his voice deeper than the Mariana Trench.) Thank the movie gods that Paul Muni, who originated the role on Broadway a year earlier, refused to repeat it on film.
While supporting players including Bebe Daniels as Rexy and Isabel Jewell's hilarious singsong phone operator/receptionist are entertaining, only Vincent Sherman, as the stereotypical Jewish radical Harry Becker, gives Barrymore a run for his money. Becker, whose mother is an old family of friend of Simon's, had been beat up by the cops and arrested for giving a pro-Communist speech at Union Square.
"What else is Union Square good for besides commie speeches?" |
Wow. Again, this is not a speech modern audiences expect from a nearly century-old movie. Becker even has to be restrained from beating up Simon's bratty, entitled step-children (who, frankly, deserve a smack upside the head.)
"How do I keep all these characters straight?" |
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To read about The Sin of Nora Moran, click here.
To read about Night Flight, click here.
1 comment:
Thank you Kevin - Another great write-up of another great and unjustly forgotten Barrymore performance. Just watched The Great Man votes which is another favourite of mine, directed by the very young Garson Kanin. Will definitely brush off Counsellor at Law again after your celebration!
Happy New Year to you and yours Kevin!
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