But what Grant doesn't count on is eventually firing a trigger. Having accidentally shot his ex-flame Carmen Brown, Grant must now use every trick he's ever used to clear himself of murder.
Retracing his steps, destroying some pieces of evidence while creating others, he appears to be on the verge of his greatest triumph yet -- emphasis on "appears". No wonder why the Furies are laughing like Greek hyenas.
Would you trust this man to clear you of murder? |
While his (apparent) toupee and Snidely Whiplash mustache are initially distracting -- perhaps he's supposed to look like a caricature of the archetypal sleazy lawyer -- Rains' silky delivery, matched with his undeniable talent quickly put any trepidation aside.
"Look at me when I'm lying to you!" |
Never trust a lawyer you can see through. |
They're more interesting than pigeons flying, overhead, that's for sure. |
often a technical marvel, thanks to cinematographer/associate director Lee Garmes, and Slavko Vorkapich, who helped create the montages and remarkable prologue of the Furies wreaking havoc over Manhattan. Bizarre today, they must have been overwhelming in 1934.
MacArthur (left) and Hecht (right) buttonhole their star. |
Crime Without Passion has a few in- jokes for observant audiences. Hecht and MacArthur share a cameo as newspaper reporters -- their original profession -- talking to Grant following another courtroom triumph. That's one way of keeping production costs down.
Helen Hayes notices the camera while Fanny Brice seems to be scrolling through her 1934 iPhone. |
What's the matter with these kids today? |
As with the other Hecht-MacArthur Paramount productions, Crime Without Passion is unavailable on DVD but easy to find on YouTube (in a somewhat muddy print) and Ok.Ru video in far better condition here. It's one of the few movies on this blog where "you've never seen anything like it" is a compliment. Just watch out for the Furies. They take no prisoners.
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Another Hecht-MacArthur production, Soak the Rich, can be found here.
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